January 2016 Church Services



Sunday 3 January EPIPHANY

11 am Eucharist

Sunday 10 January Baptism of Christ

11 am Eucharist

Sunday 17 January Epiphany 2

11 am Eucharist

Sunday 24 January Epiphany 3

8.30 am Holy Communion

 11 am MATTINS

Sunday 31 January CANDLEMAS

11 am Eucharist


Who’s Who

Priest In Charge



Mr David Elliott

Boswague, Tregony

[01872 501230]


Mr Robin Rundle

Trevarthen Cottage

Veryan Green

[01872 500950]

Hon. Secretary

Mrs Sarah Rundle

Trevarthen Cottage

Veryan Green]

[01872 500950]


Mrs Helen Robins

[01872 501458]

Envelope Treasurer

Mrs Marilyn Veness

[01872 501704]

Website Contact



About Us

The Martyrdom of Saint Symphorian is an 1834 painting by Jean-Auguste-Dominique Ingres. It shows the death of Saint Symphorian, the first Christian martyr in Gaul. Painted in oil on canvas and measuring 407 x 339 cm, it is now in Autun Cathedral.
The Martyrdom of Saint Symphorian is an 1834 painting by Jean-Auguste-Dominique Ingres. It shows the death of Saint Symphorian, the first Christian martyr in Gaul. Painted in oil on canvas and measuring 407 x 339 cm, it is now in Autun Cathedral.

St Symphorian, Our Patron Saint

Symphorian was a young man who lived in Autun in Burgundy, France, around the second century AD. He refused to worship the pagan goddes Cybele and was tortured and beheaded. He was buried in a cave where a church was built in his honour some three hundred years later.
Symphorian has been patron of our church since at least 1281. Although he is well known in mainland Europe, there are only three churches dedicated to him in the UK: here, Forrabury (the parish church of Boscastle in North Cornwall) and at Durrington in Sussex.
It is possible that he was not our original patron, there may have been an earlier Celtic dedication with Berion (St Buryan) and Sivillon both potential candidates for the original patron of our parish.
In 1110 the manor of Elerky, which comprised much of our parish, was given to the Cluniac monastery of Montacute in Somerset, whose monks were natives of Symphorian’s city, Autun. It may be that they mistook the name of the local Celtic saint and interpreted it as their own martyr, or they may simply have rededicated the church to him.
“Veryan” could be a corruption of “Symphorian” through early forms found in mediaeval documents: “Severian” through “St Verian” to “Veryan”
Parish, Glebe and Vicarage
As churches became established, parishes were created with easily identifiable boundaries. The priest was allocated property known as “glebe” from which he was expected to maintain himself.
In 1330 the vicar was given permission by the lord of the manor to dig a “deep ditch” to enclose and mark the limits of his glebe. It is likely that the remains of this ditch runs along the path leading from the lych gate to the vicarage.
The boundaries of both parish and glebe have changed little from those marked out in the early middle ages, and the tree lined lane leading from Veryan to Portloe which runs along the edge of the glebe is still known as “Sentries” or “Sentry” (Sanctuary) Lane.
It was necessary for the priest to have a house to live in and Veryan has had several successive vicarages. Most notably the vicarage built in 1834 by Samuel Trist. Now called Trist House (not open to the public) the house lies in substantial landscaped grounds with a lodge at the entrance. The building was regarded by the Bishop of Exeter as “too grand for the vicar of Veryan”. The current vicarage, a modern bungalow, was built in 1984 just outside of the entrance to Trist House.
The Church
The building which stands today is a mixture of Norman, mediaeval and nineteenth-century work. The fabric of the building has been in existance on this spot for many centuries, although some of the ornaments and embellishments may have been added to our church during the nineteenth century.
The plan of the building is unusual being one of only four Cornish churches with a south tower. The nave is longer than the average and slopes up towards the sanctuary at the east end. This feature is found in the churches of northern France and may reflect the early involvement of the monks of Montacute.
The Trist Dynasty
Veryan was fortunate in having three generations of the Trist family as successive vicars. John Trist became vicar in 1773. He was succeeded by his son Jeremiah who held the living for over fifty years and made an indelible mark on church and parish, establishing schools, building the five roundhouses for his tenants and embellishing the church with the present tower clock (1800), placing two stone tablets of texts in the porch (1803) and removing the old singing gallery from the west end (1809).
In 1830 Jeremiah was succeeded by his son, Samuel (the builder of Trist House). Samuel rescued a large quantity of mediaeval carved stonework from the derelict chapel of St Nun at Grampound. It is likely that some of the early features in the parish church came from this source and were added during the major rebuilding of the church between 1847 and 1850.

January 2016 News

Bishop Tim’s two visits to our benefice were greatly appreciated; he managed to squeeze an amazing amount into the time available.

Bishop Tim spent most of the day in the parish on Friday 4 December . He visited the school and celebrated communion with members of the congregation who are unable to attend church on Sundays. He was delighted to find that he had an ‘ecclesiastical’ connection with Bill Hunkin!

In the Evening Father Doug demonstrated his wonderful culinary skills. He had invited all members of the PCCs to meet Bishop Tim at Portloe for supper.

While Fr Doug was preparing the food the churchwardens were able to talk to Bishop Tim informally about the future.

It was reassuring to find how approachable Bishop Tim is and how supportive he will be when Fr Doug retires. He expressed his confidence for the Roseland Cluster, he listened carefully to our concerns about dwindling numbers in the congregation and an ageing PCC, and how we shall miss Fr Doug’s leadership.

Bishop Tim responded with sincerity and warmth. He felt that the future must lie in all the Roseland cluster parishes being flexible and able to respond to change. This might include the provision of a broad base of clergy, both ecumenical and non-stipendiary, presiding at our services.

There might also be opportunities for ‘job-sharing’ between PCCs, thus reducing the workload. Reassuringly, Bishop Tim does not want churches to close but saw working together as a way forward for us all.

It was late in the evening before Bishop Tim left, having heard and exchanged many tales including the prowess of one of our number who had swum the Channel


Alegria Concert 3/2/16

A small but very appreciative audience attended the first concert in this years recital series.

A selection of photos from the concert can be seen by clicking on the link

Alegria Concert 2016

The 2016 Concert series starts with a high-octane concert of Flamenco and World Guitar by the ever-popular Jon Salfield, in duo with renowned percussionist Simon Stanton. The pair, who also appear in the trio Horsemen of the Apocalypse, have performed  at  leading  venues  and festivals across  the UK and Europe.


Adults £10, U16s £5

Reservations and information

01872 501618 or info@veryanchurch.org.uk

Alegria Concert 3/2/16



Veryan International Concert Series 2016

Following the success of the 2015 Series of Concerts, we are pleased to announce that there will be a new series of 6 concerts in 2016:

3/2/16       Alegria- A High Octane duo performance of fiery Flamenco Nuevo fused with World Music by acclaimed international guitarist Jon Salfield and top percussionist Simon Stanton

15/3/16     Duo Guitarowy Wieczorek- One of Eastern Europe’s best loved classical guitar duos.

6/5/16      Pablo Rodriguez- International award winning guitar virtuoso performing Spanish Music

29/7/16   Duo NIHZ- Dutch guitar and recorder duo bringing Jewish Musical Theatre to Cornwall for the first time.

16/9/16   Pat Coldrick- Ireland’s finest classical guitarist.

9/12/16   Ben Salfield- Ben returns with a new programme of renaissance and baroque music.

More information regarding the individual concerts will be published closer to the performance dates.